SOWETO — It was an image that helped change the world.
The
iconic photo showed a 12-year-old boy, Hector Pieterson, who’d been shot
by South African police during a student protest. His limp body was in
the arms of a fellow student; running alongside was Hector’s distraught
sister, Antoinette.
The picture — taken 40 years ago Thursday by Sam Nzima, a photographer for The World
newspaper, and flashed around the world — brought home the brutality of
the racist apartheid system in a way that words alone could not.
Today,
the Hector Pieterson Museum stands a few blocks from where the boy was
shot in this township southwest of Johannesburg. The girl in the photo,
now Antoinette Sithole, works as a guide and speaker at the museum,
where I met her during a visit here this spring.
Four decades
later, she tells the story of that awful day with heartfelt intensity
but without bitterness. The students of Soweto were upset at a new
policy requiring them to be taught in Afrikaans — which they considered
to be the language of their oppressor, one of little utility outside of
South Africa — in addition to English.
They decided to protest but
didn’t want to alarm their parents. The younger students, such as
Hector, weren’t supposed to be part of the demonstration. “But because
it was a peaceful march, and we needed the numbers, we just let them
join in,” Antoinette recalled. The police arrived. The confrontation
grew violent. Hector was killed. Nzima's photo roused anti-apartheid
sentiments around the world.
The Soweto uprising spawned other
protests and international economic boycotts that ultimately pressured
the white South African government to release Nelson Mandela from prison
and paved the way toward one-person, one-vote democracy. (June 16, the
date of Hector’s death, is commemorated as National Youth Day.)
The
bad news in today's new South Africa is that President Jacob Zuma of
the African National Congress, the party of Mandela, presides over an
administration plagued by corruption and cronyism.
The good news
is that people of all races care deeply about their young democracy,
which features an independent judiciary and a vibrant press that is far
freer than the one that photographer Nzima was part of 40 years ago.
After
taking the picture of Hector, Nzima hid the film in his sock to prevent
it from being confiscated by authorities. He and his editors decided to
publish the explosive image, even though they knew it would enrage the
government.
That brave act of photojournalism forever altered the trajectory of South Africa, a beautiful country with an ugly past.
http://www.usatoday.com/story/opinion/2016/06/16/apartheid-pieterson-soweto-photojournalism-column/85965354/
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